![]() When we received the X-T3, no imaging program supported processing its RAW files so we’re basing this assessment on JPEG files. While third-party RAW processors didn’t support X-T3 files when we tested the camera, we had few gripes with JPEGs straight from the camera. There are a pair of SD card slots and both support the speedy UHS-II standard. At 19 ounces, it’s about 4 ounces heavier than Sony’s a6500, though not unduly heavy. The 3-inch tilting display also helps when framing those hard-to-reach angles. We found the EVF quite sharp and responsive, even during continuous shooting. There’s a 3.69-million dot EVF with a 100 fps refresh rate and lockable diopter. ![]() Personally, we love this design-the less scrolling through menus, the better. It has plenty of analogue-era controls repurposed for the digital age. There is a mic and a headphone jack situated behind a removable panel. ISO 800 on previous cameras with F-Log.įull HD recording is available up to 120p for 6 minutes or 60p for 30 minutes. The base ISO when shooting in the F-Log profile is lower, too-ISO 640 vs. There’s also a new noise reduction algorithm and 4K inter-frame noise reduction. You’ll enjoy approximately 12 stops of dynamic range when using the F-Log color profile and the sensor’s read speed has been improved to reduce rolling shutter. The X-T3 can compress video in either H.264 or the newer, more efficient H.265 codec for bit rates up to 200Mbps. You can also output a 4K/60p file at 10-bit 4:2:2 via HDMI. Your connectivity options include Wi-Fi, Bluetooth Low Energy and a USB-C port, which also supports in-camera battery charging.Īs for video, the X-T3 is the first APS-C camera capable of recording cinema 4K (4096 x 2160)/60P at 10-bit (4:2:0) internally for up to 30 minutes. and the electronic shutter is capable of a top speed of 1/32,000 sec. Mechanical shutter speeds top off at 1/8000 sec. There are 16 film simulation modes as well. The Effect produces enhanced color gradation in highly saturated colors and can be applied to single frames or to images in burst shooting. Opt for a 1.25x crop and electronic shutter and burst speeds top off at 30 fps.įujifilm is trickling down the Color Chrome Effect from its medium-format GFX-50S camera into the X-T3. Using an electronic shutter, you can hit speeds of 20 fps for up to 79 JPEGs or 36 RAW files. Continuous shooting clocks in at 11 fps using a mechanical shutter. Thanks to a new processor, the camera can churn through computations three times faster than earlier models, Fujifilm says. ![]() There are 425 phase-detect AF points you can select but over 2.1 million covering the entire sensor. Eye Detect AF is now capable of tracking subjects in AF-C mode and both Face and Eye Detect AF are available when shooting video. ![]() As a result, the camera has a lower base ISO than previous generations (now ISO 160) and significantly better autofocusing from its predecessors.įocusing is sensitive to -3EV and the camera refocuses and meters 1.5 times more frequently than the X-T2, helping it track moving subjects more tenaciously. According to Fujifilm, it’s the first backside-illuminated APS-C sensor with phase detect pixels across the entire frame. The X-T3 features a new back-illuminated 26.1-megapixel X-Trans CMOS sensor with no optical low-pass filter. It’s the first Fujifilm camera that can plausibly compete for a filmmaker’s dollar while offering a compelling package for the still shooter, too. ![]() The X-T3 represents a high-water mark on both counts. Over the past several iterations of its higher-end X-series cameras, Fujifilm has made a concerted effort to improve two things: autofocusing performance and video features. ![]()
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